Thursday, November 27, 2014

linoprints without lino

I had a few issues with technology this week so I'm actually staying late at work to do this! Blogging on an iPad is hopeless and my little netbook has finally given up. I think it needs to be put to rest.

How do you do linoprints without lino and sharp instruments? I saw this video by Derwent using foam and Derwent Inktense blocks (and you know I love my Inktense blocks) so I thought I'd give it a go on fabric. The only thing I did differently to the video is that I placed the fabric on the table and turned the foam over and pressed from the back of the foam. It worked well so I shared it with our arty farty group.
Very simple materials list: foam from Spotlight, Inktense blocks, bamboo crochet hooks instead of expensive embossing tools, rubber gloves and the one thing I don't have in this photo is the small spray bottles I picked up at the $2 shop.

I asked the arty farty group to bring white, cream or light coloured fabric. This is what we made.
Ann managed to get quite fine lines with a pencil.We started off just printing one colour.
Then Mel showed us a printmaking technique called a reduction print. Her Peace Lily is to the left. She started by pressing out the outlines and the white bit for the flower and printed yellow. Then she pressed out the yellow stamen and printed light green. The foam only takes so much abuse so rather than try to emboss the leaves, she just painted the background with dark green and then printed it. My attempt at a leaf is on the right!
Helen made this lovely woodgrain using two colours.
This was my reduction print. I did it in three stages. Embossed the main outlines, printed yellow, embossed the centre of the flowers, printed orange, embossed the whole flower and then coloured different sections of the the remaining print to get this effect.




This feather below has been washed. I think I lost a bit of colour. Derwent Inktense is permanent after it dries but you have to wet it on the fabric first. It dries so quickly when you print that I think it isn't reacting to the fabric fully. I'm going to try a spritz of water after printing and drying, then let it dry again to see if I get better colour-fastness.

1 comment:

  1. Hi Rona, glad to see you are still getting a bit of time to play. The linoless printing looks interesting. I had fun making mono prints using old OHP plastic - you can get the same sort of texture and detail from scratching back, applying and then applying multiple layers/colours for depth. Only a few more weeks of crazy to go...

    ReplyDelete

Thank you for visiting. I'd love to know that you were here.